"Music is so naturally united with us that we cannot be free from it even if we so desired."  -Boethius, De institutione musica


Boethius, the 6th century Roman philosopher, outlined four classifications of music:

  1. Musica mundana — music of the world
  2. Musica humana — harmony of human body and spiritual harmony
  3. Musica instrumentalis — instrumental music
  4. Musica divina— music of the gods

I am not sure what Boethius was referring to by Musica divina, but in this world J.S. Bach's music is as close as music comes to the divina. When we are young the passion of Verdi, Mozart, and Wagner, (Musica mundana?) is thrilling and relevant to life in full bloom, but  growing older we turn more to the music of  Bach.  Changing taste and appreciation of more complex and intellectual  music is not a linear progression, some music we once passed over can and does reach forward and touch our sensibilities. Boethius explanation of time, God sees all things as humans see the present, is a workable metaphor on how we might apprehend our own lives from the vantage point of old age. Not that some music remains relevant while other pieces fade away, but some  pieces coincide with various aspects of the mature (decaying?) personality. Who or what we finally become can be described, or traced, by the music we most appreciate towards the end of act four. So here are ten pieces of exquisite music that correlate with the ten most salient aspects of one personality; a personality nurtured in the upper South and which spans the time period of roughly the 1930's through the first decades of the 21st century.

Southerners have a different view of the War of Northern Aggression, besides the name provided by northern historians. Lincoln is not admired and saving the insolvent government in Washington  by devastating the South was reprehensible, not heroic. The great sadness that still lingers in the South, even into the 21century, is bitterly captured by The Band in Robbie Robertson and Levon Helm's 1969 song:

1. The Night They Drove Old Dixie Down -The Band

The romance of the cowboy seeped into the psyche of almost all boys growing up in the 1940's. Admission to the movies was only twelve cents and there was a Western almost every Saturday. The Burl Ives ballad perfectly encapsulates the dusty seasoning of the American spirit by the Western.

2. A Cowboy's Lament - Burl Ives

Actual heroes for those of us were the relatives and neighbors returning from WWII. Their stories of Europe and the Pacific just made our jaws drop: "He flew his plane into a cloud with a rock in it."  "We think the Japanese beheaded him." Although there were many great American songs, these two British ones are at the top of all serious lists of memorable songs of the era.

3. White Cliffs of Dover   & We'll Meet Again - Vera Lynn

When the testosterone begins to flow the libido is activated, boys fall in love with the Great She, in any number of  her manifestations. Looking back, this song captures the mushy messy feeling of the 1950's, even though the song did not become popular until the 1960's.

4. Blue Velvet - Bobby Vinton

Military service, college, economic necessity, or luck often kept young hearts and bodies apart and inspired, letters, late night phone calls, and bad poetry. Sometimes the letters included a heavenly dose of perfume.

5. Love Letters - Boz Scaggs

And then she is gone.. Crying, by K. D. Lang.

Friendships bind us together; if you are lucky, for a lifetime. Beethoven said humans had worth, because they formed lasting friendships. He certainly had a point.

6. The Pearl Fishers Duet -  Bjorling & Merrill

Seldom do music, literature, and film come together in such a bitter-sweet blend that the result is almost unbearable. The talents of Luchino Visconti, Thomas Mann, and  Gustav Mahler are thus so woven in the film Death in Venice.

7. (music)  Syphony No.5, Mvt 4. or (film trailer) Death in Venice

 I have heard it said that life is what happens while you are waiting for your plans to work out. However a life unfolds or is planned, plain ole good luck is impossible to beat...and so is Anne Sofie.

8.  (Korngold Die tote Stadt) Marietta's song - Anne Sofie von Otter

 Richard Strauss completed  The Four Last Songs when he was 84. He turned a life time of experience and memories into high art. 

 9. Strauss- Four Last Songs - Elisabeth Schwarzkopf

After all, a wisp might linger.

10. Like an angel passing through my room  - Anne Sofie Von Otter

11. At the end there is the music for Siegfried's Funeral

pool angel
In 1939, the year before his death Paul Klee created  "Poor Angel".